Lace Wire Woven Silver Pendant with Three Swarovski Crystal Beads #2
Lace Wire Woven Silver Pendant with Three Swarovski Crystal Beads #2
The bottom of the pendant was created by initially using 5 frame work wires. A length of the pattern was developed. Then by a lucky mistake, the wire woven lace technique was discovered. (See below in Inspirations) By carefully bending this patterned weave into a flat circular shape it brought the ends of the wires up to the top of the design. The wire ends dictated that they be grouped differently to add more eye interest. Since there are eight wire ends they were divided into two for the bail, two for each side of the heart and two for the accent of the heart. Each of these grouping is wire woven or wire wrapped to create the final product. The bare ends of the heart wires are the curly "Qs" in the center. To enhance the open part of the bottom circle three 4mm round Swarovski Crystals were added to dangle bringing movement and sparkle to the pendant. This pendant is made to wear and enjoy no matter what occasion comes to pass.
The wire used in this wearable artwork is Artistic Silver Wire. It is tarnish resistant and will maintain its sheen for years to come if proper care is followed. (See Below)
PENDANTS ARE SOLD SEPARATELY:
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Payment in full must be made prior to the order being filled. Once we have agreed to a price of the piece, a special order listing will be made for your ease of purchase. You will be notified when this listing is available for payment. When this payment is completed, your item will be made. Orders will be completed within 2 weeks of payment. Once made, a notice will be sent of its completion and when it will be mailed out. After mailing a notice will be sent with the tracking number and anticipated arrival date. All items will be mailed first class via USPS with tracking. If item is valued over $50.00 the package will be insured.
LENGTH: 1 5/8 Inches
WIDTH: 1 1/8 Inches
WEIGHT: 0.2 Ounce
Routine maintenance tips to keep your jewelry looking amazing from season to season.
• When finished wearing, wipe down your piece with a dry 100% cotton cloth or jewelry polishing cloth.
• If the piece is subject to tarnish, place a moisture control pack into the storage location. (Hint: Some medications come with them in the bottle.)
• Keep jewelry away from soaking water and harsh chemicals.
• These pieces of wearable art are not designed to be worn 24/7. They need a restful break too.
• BEWARE!!! POSSIBLE CHOKING HAZARD!! If small children are in the home, please know our child and buy, wear, and store responsibly.
ITEM NUMBER: P#32
PENDANT: as defined by - https://www.britannica.com/art/pendant-jewelry
Pendant, in jewelry, ornament suspended from a bracelet, earring, or, especially, a necklace. Pendants are derived from the primitive practice of wearing amulets or talismans around the neck. The practice dates from the Stone Age, when pendants consisted of such objects as teeth, stones, and shells.
ARTISTIC WIRE: As described by BEADUCATION:
This wire is made by first plating the copper wire with a precision layer of pure silver. Then the enamel color and tarnish resistant coating on top of this silver plating is applied. The silver plating beneath the color, adds an incredible high-shine and brilliance to the wire. Artistic Wire is a permanently colored copper wire available in a wide range of colors and gauges. It has an exclusive enamel coating which is engineered to resist tarnish, chipping and peeling.
Metal that has been covered with special coating that protects the surface from any oxidation and discoloration of the surface.
SWAROVSKI CRYSTAL: By Google
What is Swarovski Crystal? Swarovski crystals are man-made gems manufactured in Austria. In 1892, Daniel Swarovski invented a machine for making precision-cut, beautiful, high quality lead glass crystals using quartz, sand, and minerals. The exact proportions of these raw materials has remained a company secret.
WEARABLE ART: by Wikipedia
Wearable art, also known as Artwear or "art to wear", refers to individually designed pieces of (usually) handmade clothing or jewellery created as fine or expressive art.
PENDANTS HISTORY: This article was most recently revised and updated by Virginia Gorlinski, Associate Editor on Britannica.com
The pharaohs of ancient Egypt wore pendants that were sometimes of huge dimensions, usually bearing commemorative or auspicious scenes in which the sovereign is being deified. Other pendants were in the shape of flies, winged scarabs, vultures, the eye of the god Horus, falcons, and sacred serpents. An exquisite example of an early gold pendant is that of two hornets clasped together, found in Mycenae and dating from the 17th century bce. Etruscan pendants were decorated with spindles and cylinders, figured, or in the shape of human heads. Greek and Hellenistic pendants usually formed the entire necklace. Pendants in the shape of a bulla are frequent in Roman necklaces, but there are also examples of cameos, intaglios, and gold coins mounted as pendants.
During the Middle Ages, characteristic jewels were the reliquary, or devotional, pendant and the cross, chased or enamelled with religious subjects and often set in an architectural frame. One of the most famous early pendant reliquaries, which belonged to Charlemagne, contained relics of the True Cross and the crown of thorns under a sapphire set with gold. In the 14th century it was customary for noblemen to wear necklaces with pendants bearing heraldic subjects; pendants worn by women generally depicted sentimental subjects.
Toward the beginning of the 16th century, pendants became decorative rather than religious objects. The Renaissance artists created numerous beautiful crosses and figured pendants modelled in high relief and depicting numerous subjects, such as mermaids, tritons, animals and ships, and mythological and religious scenes. Often, the irregular shapes of baroque pearls were exploited and adapted for the bodies of human beings or animals, whose faces and limbs were modelled in gold and enamelled.
In the Baroque period there was a return in pendants to engraved figures and intaglio and cameo cutting, framed in geometric decorative designs containing gems and, later, in ribbons and floral designs done mainly in diamonds, rubies, emeralds, and pearls. Such pendants continued to be popular until the end of the 18th century.
The Empire style attached no great importance to pendants, and most of the rare examples consist of cameo medallions. In the 19th century the Art Nouveau school created pendants with a lovely aesthetic line in which the most common motifs were women’s figures and profiles, butterflies, peacocks, insects, and flowers.
This article was most recently revised and updated by Virginia Gorlinski, Associate Editor.
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