Tree of Life Variegated Green Seed Beads and Silver Wire Pendant
TITLE: Tree of Life Variegated Green Seed Beads and Silver Wire Pendant
This little piece of Wearable Art known as a Tree of Life is made to symbolize the summer season of sunshine and rustling leaves above. It is made with tarnish resistant Artistic silver wire and variegated green glass seed beads. The wire makes twists and turns giving character to the tree form. The leaves follow suit letting the branches peak through them. The pendant frame is 20 gauge wire while the tree and branches are slightly smaller in 26 gauge silver wire. To construct the trunk multiple wires are twisted together and attached to the lower edge of the frame. They are brought up towards the top. These wires are gradually separated to form the various branches. By separating even more the smaller branches are created. As these branches are made the seed beads are threaded onto the wire developing the semblance of leaves. The bail is wire woven and has some width to it to stabilize it when worn. It is designed to be viewed from either side of the pendant. It is very light weight at less than one (1) ounce and comfortable to wear. It should be hung on a substantial cord or chain necklace. If desired it may be displayed on a free standing hook easel as a decorative piece.
LENGTH: 3.0 inches
WIDTH: 2.25 inches
WEIGHT: 0.80 ounces
PENDANTS ARE SOLD SEPARATELY:
Need a necklace to hang your miniature piece of art onto? Consider special ordering one. There are many options available. Contact me via the “Ask Seller a Question” found on an item page or the “Contact this Seller” at the bottom of the shops home page. I will gladly send you information about all the options offered.
Payment in full must be made prior to the order being filled. Once we have agreed to a price of the piece, a special order listing will be made for your ease of purchase. You will be notified when this listing is available for payment. When this payment is completed, your item will be made. Orders will be completed within 2 weeks of payment. Once made, a notice will be sent of its completion and when it will be mailed out. After mailing a notice will be sent with the tracking number and anticipated arrival date. All items will be mailed first class via USPS with tracking. If item is valued over $50.00 the package will be insured.
Routine maintenance tips to keep your jewelry looking amazing from season to season.
• When finished wearing, wipe down your piece with a dry 100% cotton cloth or jewelry polishing cloth.
• If the piece is subject to tarnish, place a moisture control pack into the storage location. (Hint: Some medications come with them in the bottle.)
• Keep jewelry away from soaking water and harsh chemicals.
• These pieces of wearable art are not designed to be worn 24/7. They need a restful break too.
• BEWARE!!! POSSIBLE CHOKING HAZARD!! If small children are in the home, please know our child and buy, wear, and store responsibly.
ITEM NUMBER: #42
ARTISTIC WIRE: As described by BEADUCATION:
This wire is made by first plating the copper wire with a precision layer of pure silver. Then the enamel color and tarnish resistant coating on top of this silver plating is applied. The silver plating beneath the color, adds an incredible high-shine and brilliance to the wire. Artistic Wire is a permanently colored copper wire available in a wide range of colors and gauges. It has an exclusive enamel coating which is engineered to resist tarnish, chipping and peeling.
BAIL: By Fire Mountain Gems – EncyloBEADia – Jewelry Making Dictionary
A metal loop that is used to attach a chain or cord to a pendant.
GAUGE: By Fire Mountain Gems – EncyloBEADia – Jewelry Making Dictionary
The measurement of the thickness of wire or metal sheet: the higher the number, the thinner the metal. A 20-gauge wire or metal sheet will be finer than a 16-gauge wire or metal sheet.
GLASS BEADS: Defined by the Free Dictionary by Farlex:
Small, round or many-sided beads made from transparent or colored glass (less frequently, from metal), with holes for threading.
PENDANT: as defined by - https://www.britannica.com/art/pendant-jewelry
Pendant, in jewelry, ornament suspended from a bracelet, earring, or, especially, a necklace. Pendants are derived from the primitive practice of wearing amulets or talismans around the neck. The practice dates from the Stone Age, when pendants consisted of such objects as teeth, stones, and shells.
SEED BEAD: By Fire Mountain Gems – EncyloBEADia – Jewelry Making Dictionary
A uniformly shaped significantly small bead used for beading and jewelry-making. Seed beads are available in a myriad of colors, finishes and sizes.
Tarnish is a substance which forms of the surface of some metals and which stains them or causes them to lose their brightness. To lose or cause to lose the shine, esp. by exposure to air or moisture resulting in surface oxidation; discolor; silver tarnishes quickly. Wear cotton gloves when cleaning silver, because the acid in your skin can tarnish the metal
Metal that has been covered with special coating that protects the surface from any oxidation and discoloration of the surface.
TREE OF LIFE:
What is the meaning behind the tree of life? As explained by One Tribe Apparel.
The Tree of Life represents growth as a tree starts out as a small, delicate sapling and grows over a long time into a giant, strong tree. The tree grows up and outwards, representing how a person grows stronger and increases their knowledge and experiences throughout their lifetime. Jan 30, 2019
WEARABLE ART: by Wikipedia
Wearable art, also known as Artwear or "art to wear", refers to individually designed pieces of (usually) handmade clothing or jewellery created as fine or expressive art.
WIRE WEAVING/WRAPPING JEWELRY: By Wikipedia
Wire wrapping is one of the oldest techniques for making handmade jewelry. This technique is done with jewelry wire and findings similar to wire (for example, head-pins) to make components. Wire components are then connected to one another using mechanical techniques with no soldering or heating of the wire. Frequently, in this approach, a wire is bent into a loop or other decorative shape and then the wire is wrapped around itself to finish the wire component. This makes the loop or decorative shape permanent. The technique of wrapping wire around itself gives this craft its name of wire wrapping.
WIRE WEAVING: By www.instructables.com/How-to- Weave-Wire/
Simply put, wire weaving is just looping thin wire around a heavy wire frame in a pattern. What changes is how many times you loop the thin weaving wire around one base wire before looping it onto another base wire. The weaving wire can be brought over or under the base wires in any pattern you like.
PENDANTS HISTORY: This article was most recently revised and updated by Virginia Gorlinski, Associate Editor on Britannica.com
The pharaohs of ancient Egypt wore pendants that were sometimes of huge dimensions, usually bearing commemorative or auspicious scenes in which the sovereign is being deified. Other pendants were in the shape of flies, winged scarabs, vultures, the eye of the god Horus, falcons, and sacred serpents. An exquisite example of an early gold pendant is that of two hornets clasped together, found in Mycenae and dating from the 17th century bce. Etruscan pendants were decorated with spindles and cylinders, figured, or in the shape of human heads. Greek and Hellenistic pendants usually formed the entire necklace. Pendants in the shape of a bulla are frequent in Roman necklaces, but there are also examples of cameos, intaglios, and gold coins mounted as pendants.
During the Middle Ages, characteristic jewels were the reliquary, or devotional, pendant and the cross, chased or enamelled with religious subjects and often set in an architectural frame. One of the most famous early pendant reliquaries, which belonged to Charlemagne, contained relics of the True Cross and the crown of thorns under a sapphire set with gold. In the 14th century it was customary for noblemen to wear necklaces with pendants bearing heraldic subjects; pendants worn by women generally depicted sentimental subjects.
Toward the beginning of the 16th century, pendants became decorative rather than religious objects. The Renaissance artists created numerous beautiful crosses and figured pendants modelled in high relief and depicting numerous subjects, such as mermaids, tritons, animals and ships, and mythological and religious scenes. Often, the irregular shapes of baroque pearls were exploited and adapted for the bodies of human beings or animals, whose faces and limbs were modelled in gold and enamelled.
In the Baroque period there was a return in pendants to engraved figures and intaglio and cameo cutting, framed in geometric decorative designs containing gems and, later, in ribbons and floral designs done mainly in diamonds, rubies, emeralds, and pearls. Such pendants continued to be popular until the end of the 18th century.
The Empire style attached no great importance to pendants, and most of the rare examples consist of cameo medallions. In the 19th century the Art Nouveau school created pendants with a lovely aesthetic line in which the most common motifs were women’s figures and profiles, butterflies, peacocks, insects, and flowers.
This article was most recently revised and updated by Virginia Gorlinski, Associate Editor.
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